Simplex Number 6

Since I last posted about the FK3D 'Druid' print a couple of weeks ago I've been busy with the paintbrushes and masking tape and the result is an LCLR-style Simplex. One of the downsides of the (almost) all-in-one print is that delicate masking is required between the underframe and the bonnet/cab areas to get a neat result, but well worth the effort. 

The blue is Citadel Lothern blue as used on my 009 LCLR coach and loco, applied in three coats with the paint thinned as required to help alleviate brush marks. The red and black from Vallejo, the latter reduced in blackness with a spot of WW1 beige. The whistle was picked out in Vallejo brass whilst the printed oval plates on the cab sides and rear, which had troubled me at first, were painted black with white boltheads to complement the numbering, taken from a Replica Railways 4mm scale 'Rail Express Systems' rub-down sheet. Number 6 reflects the running number of 'Druid' at the ALR, despite this being a freelance interpretation.

The cab interior was treated with a coat of thinned black-grey and then various items were picked out in different colours. This was actually quite tricky to reach some of the features. The driver figure is the Monty's 'Industrial Driver' figure that I had prepared for the O9 railcar last year but didn't use as he was slightly on the tall side. A length of 1mm brass wire was Araldited in a hole drilled in his posterior and a corresponding hole drilled down the seat support to accept it. Milliput was used to add some "shape" to fill the bucket seat in the cab (Thinking about it, I may have flattened out his original shape for the railbus project...).

The driver has had a touch-in on the original paint job and a waft of Humbrol matt varnish. The loco itself has had a coat of Halfords matt varnish but is actually quite satin. I'm hoping this can be knocked back with some careful weathering and since taking the photos I started this process by masking the bodywork with post-it notes and spraying the Humbrol matt varnish over the underframe, which has the immediate effect of knocking back the shine.

Colin