This is Planet Hex

Whilst I had considered putting together a diorama depicting a scene from a Doctor Who episode to display my TARDIS and Doctor figure, I have opted in the end to take the simpler option to create a very basic display base which perhaps takes it's inspiration from Wargaming rather than railway modelling. 

Wanting something different from my "standard" display pieces I have taken a design clue from Gallifrey and created a hexagonal base, which is 70mm deep in a concession to my standards! To create a hexagon with the parallel lines a set distance apart and the length of each side initially unknown required use of a protractor to draw out the first corner and then a pair of compasses to plot the remainder of the points. This was drawn out on 6mm MDF and cut to shape.

The edges of the base were treated with superglue and sprayed with accelerator to harden them, before smoothing back and repeating. The whole piece was then painted in grey emulsion from a tester pot. I then added a layer of 5mm foamcore slightly smaller in dimensions as the basis of the landform. A square was marked out as the space required for the TARDIS to sit in, then the remainder carved away as the basis of the landform. A layer of additional foamcore was added at one point to add extra relief.

 

A layer of PVA over the foamcore was followed by DAS modelling clay, textured with the bristles of a paintbrush to add texture. Once the DAS had set the surfaces to be treated as rocks were scraped away/textured with a dental probe and two additional rocks made from more DAS were added at the front corner.

The rocks were painted with grey emulsion paint and once dry washed over with black-grey acrylic to get into the crevices, and then dry-bushed with various shades of grey, beige and green to highlight the texture. 

Once the rocks were dry I added the ground cover, this used a mix of emulsion paint, PVA and grey tile grout, applied with a brush and then a mix of ballast, fine turf fine sand sieved over whilst wet and tamped into place and allowed to dry. It looks rather regular at this point but will be broken up in the next stage.

To give the impression of a hostile, barren planet I added brown grass tufts from the Peco range, cutting some into smaller clumps to break up the evenness of the size. Some weathering powders were added into the ground surface to vary the colours and texture a little. At this stage the edges of the piece were painted in grey primer in a contrast to the wooden trim pieces I usually use. This is something of an experiment and can be changed if desired in the future

In the next update I will reveal the completed piece with the centrepieces of the scene added. Watch this space...

Colin

To Caistor and Cleethorpes

I thought some railway content on the blog was in order after a few weeks of  Doctor Who. On Sunday, with clear skies after the stormy weather of the previous days, I headed across Lincolnshire to Caistor for the annual model railway exhibition. Despite many flooded fields I found that the roads were largely clear, the only bit of surface water encountered being a big pool on the A46 (although I discovered on my return home that the outgoing route I had taken via Bawtry was now closed due to flooding).  

Town hall shows can bring a mixed variety of layouts, the highlight for me being Paul Windle's 'High Stamley', an atmospheric 009 layout placing the railway in the landscape in a relatively small space. It also runs very well to a pattern that the operators know and provides movement most of the time, including on the road. There's also a very large dog from a popular animation hiding in a corner!

Further narrow gauge interest was 'Welton Park', the O9 layout from the Market Deeping club that was at Narrow Gauge Now back in July. On the standard gauge front two layouts representing the BR blue era caught my attention, 'Boston Frodsham' and Ken Gibbon's 'Lapford Road', which I hadn't seen for a  few years. What was noticeable here was that with a few exceptions most of the stock was of an older generation sensibly detailed up, including Triang-Hornby Mk2 coaches, an Airfix class 31 and Airfix kit brake vans. Other layouts were full of the latest toys but perhaps lacked the consistency across the board.

It is not a huge show and after an hour and a half, (and a small expenditure on some narrow gauge items from a trader) I opted to head the relatively short hop to the coast to Cleethorpes to call in on the Cleethorpes Coast Light Railway. The Guest 0-6-0DM 'Rachel' was in charge, and do not worry, giant spiders have not attacked her, she was dressed up for the Halloween season. After a train ride and some lunch I walked up the floodgate to get a couple of photographs.

To be pedantic you are beside the Humber estuary at this point and the actual sea is tantalisingly in the distance, so as the weather was so nice I walked up the marine embankment to a point just past the currently disused CCLR Humberston station, from where I could see the sea, Spurn Point and both of the Humber forts. Ironically exactly a year ago to the day we had stayed in a caravan just here and I had watched and photographed the sunrise from the balcony. I regretted not having my "proper" camera with me on this visit, but the picture below from my phone has turned out reasonably well.

(Click for larger version)

The days that followed have turned to much less pleasant weather and the brief trip to the coast has allowed the longer days of summer to stay fresh in my mind for a little longer. As the nights draw in and the clocks go back I tend to find that these memories help. What will also help is working out what the next modelling project will be, that may take a little longer but don't be surprised if an influence from Caistor creeps in...

Colin

The Colour of the TARDIS

When we last saw my conversion of the Peco Police Phone Box to represent the tenth Doctor's TARDIS it was ready for scrubbing up for the paintshop. Cleaned up it was sprayed with grey primer and I checked for any blemishes that required attention. I then checked photos of the TV prop and something became very obvious that had completely passed me by...

The Peco roof has (quite correctly for a Metropolitan Police Phone Box) three "tiers" to the structure. The 2005 TV prop has only two, in fact the majority of the TV props only have two... I couldn't ignore this and resorted to reconstructing the roof by slicing off the top tier and opening out the resultant giant hole in the second tier to inset the top tier into. It was rather messy (and still is on the inside) but Milliput soon smoothed it out. After a re-prime of the roof I applied a black-grey wash over the whole structure as a base for painting.

Painting proper could now commence, at the beginning of the project I had searched for an appropriate blue paint, eventually choosing Citadel 'Stegadon Scale Green' as the best potential match. Despite the name, it is blue, and actually closely resembles BR Rail Blue! I applied three coats, the first straight from the tub but applied in a dry-brushing motion to leave a little of the accumulated dark grey in the recesses. The second coat was lightened with a drop of grey and again applied in a dry-brushing style to not 100% cover the first. The last coat was lighter still and less heavily applied. This process built up a nice 'patina' on the panelling. I then painted the floor grey, washed over with black-grey, and the boxes for the lettering in matt black.

The above photo shows the transfers in place for the 'Police Box' lettering. In order to prepare the matt surface for these I applied three coats of 'Kleer' to gloss the surface. After applying the decals another coat of 'Kleer' sealed them in place, before a weathering wash was applied over the whole panel to tone down the black and white, both colours I tend to avoid. The Peco decal for the sign on the door was a little undersized for the TV prop and this was substituted with a version found online printed onto matt photo paper and applied after carefully peeling away the back layers of the paper,

The window frames were picked out with a fine brush in the blue paint. One feature of the 2005 TV prop was that the windows appeared white behind the glass. I eventually resorted to spraying the backs with white primer, but not fully coating, to give a translucent effect. The white was a blessing as I wanted to add an interior printed on matt photo paper, in a similar manner to the TV prop. Again this uses an image downloaded from the web, printed with multiple version of the door sign.

Once the components had been matt varnished and the windows fixed in place, the interior print was cut to size and folded to shape. Some thin strips of basswood were applied at either end and the centre in order to balance out the effect of the window mouldings that sit approx 1mm behind the sides. You can just see the top of the centre piece at the rear.

With the interior print in place I could then add the door, gluing it in place using the supports onto the wall rather than along the hinge line. The roof, to which I had previously added the lantern, was then added the next day. From this angle it just looks like a Police Box, although strictly speaking the door on the real thing opens outwards...

But if you turn it around you can clearly see it is bigger on the inside! It is actually quite difficult to see the interior without shining a light in, but at least I know it is there.

So we have a TARDIS, we have a Doctor, the next post will look at the creation of a diorama base to bring the elements together.

Colin

 

Painting the Doctor

When we last saw our two Doctors they had just received a coat of grey primer and frankly were difficult to photograph as you could not see much of the detail. My usual method of figure painting these days is to then go over with a wash of black-grey, allowing it to sit in some of the detail and provide a basis for some shadows in the paintwork to follow.

At this stage in the procedure I realised that the inside of the tenth Doctor's long coat was going to be a real challenge to paint without getting paint where it wasn't required! The solution was eventually to paint another wash in a light brown, which as we shall see turned out rather well. From behind the hair texture I added using Milliput is more apparent now that the dark wash has been applied.

Painting of both figures followed my usual process of skin colour first, then shirt, jackets and trousers, working out to the coats. The tenth Doctor is modelled in his blue suit phase, as the earlier brown suit would give less contrast to the jacket. When painting I built up colour using an almost dry-brushing technique, the intention being to leave some darker areas to represent creases in the material. I did add some false shadows around the suit which are more apparent in the photographs than reality. The shoe laces were a necessity on the red shoes and my tiniest brush just about managed it before giving up the ghost.

By contrast the first Doctor was a little easier to paint the details on (you cannot see his shoelaces...) His hair actually caused the biggest issue as it should be all grey but that looks wrong and texture-less, so he has to have some darker bits. As he is not the chosen figure for the mini-diorama this is no real concern but is certainly something to think about for future figures. Both figures were completed a few weeks ago with a coat of Humbrol matt varnish from an aerosol, but in the best traditions of time travel are only now being revealed!

Painting TARDIS is progressing well, here's a sneak preview - note how despite it not being a model of a TARDIS Peco have provided some "round things" inside to keep the Doctor happy... 

More soon, including work on the diorama base.

Colin

Trial of a Timelord

Well before I started to plan my TARDIS build I knew that for any Doctor Who diorama to work I would require a figure to represent the Timelord themselves. I therefore approached this before doing anything else, starting with a search of the internet for something suitable and finding that rather oddly, 1/43rd scale Timelords are in short supply... So I decided to take the approach that I usually take in these circumstances and opted for surgery on a cheap Chinese copy of a figure from a well-known German brand.

The pose of this figure reminded me of the many pictures of David Tennant as the tenth Doctor, posed with his hands in pockets, wearing a suit and long coat rather than the three-piece suit of the figure. I therefore schemed to extend his suit jacket into a long coat and alter the waistcoat into a new suit jacket. Extreme tailoring began by drilling holes into the base of the creases of the jacket to allow 0.5mm brass wire to be superglued in place. This in turn supports 10 thou styrene taped over a rolling pin and heated using boiling water. Extra styrene strip support around the joints made for a solid construction.

Once the glue was set I then shaped the 10 thou styrene to create the lower half of the coat, bending the outer brass strips around at the base to help shape the bottom and side edges around his legs. It was at this point that a few nagging doubts crept in about the upper part of the coat and how it sat around his pocketed hands. I therefore slept on it, to look with fresh eyes on return from our holiday...

On my return I still wasn't convinced and started work using an alternative figure and the same coat extension method, but without that hands-in-pockets look. However one evening I took another look at the original figure and set-to with scalpel, files, 5 thou styrene lapels and Milliput to create a layout of the upper coat that actually looked about right. I had always planned to transplant in a different head so that was also completed at this stage.

Now what is an anniversary special without it being a multi-Doctor adventure? The more I looked at the second figure he looked like an old man in a long coat, so with a few tweaks it became a shorter coat and a bit of work around the collar gave me a neck-tie and a reasonable (if you squint) William Hartnell.

Photographing figures in the process of modification is tricky, but the view above shows how I had used Milliput to create the bottom of the jacket on the tenth Doctor figure and to manipulate my styrene lapels towards the neckline. Milliput forms a lot of the texture of the coat extensions, as can be seen on the rear view, and I also added texture and shape to the hair on both figures. If there is one take-away from this whole process it is how much this texture transforms these cheap figures, as the hair is usually their worst aspect, often featuring a injection mark and no detail.

Happy with the figures I tentatively added a coat of grey primer to see how everything blended together, and found the result quite satisfactory. At this stage I had not decided which would figure in the diorama, I was certainly keeping my options open. The closer resemblance of the Peco Police Box to the 2005 prop was eventually the deciding factor to go with the tenth Doctor.

From the back the hair texture becomes more apparent with a coat of paint. The seam on the back of the tenth Doctor's coat was a last minute addition before painting as I had spotted it on a GIF I had posted to a Teams chat at work. Research never ends!

More on the Doctor Who project soon...

Colin

 

Doctorin' The TARDIS

In my last post I explained the basis behind my planned Doctor Who mini-diorama and how I planned to use the Peco 7mm scale Police Box kit to represent the TARDIS. Wishing to create something as close to a TV prop as I could from the kit I first had to identify which era I wanted to represent. My heart wanted to go for the late 1980s, a 'Remembrance of the Daleks' scene would be nice but I had doubts I could conjure up suitable figures. In the end I settled for the 2005 TARDIS as I had a better chance of success with the figures. 

Looking at the kit parts the first big difference was in the size and recessed depth of the 'Police Public Call Box' panel, the kit has this narrow and deeply recessed, whereas the TV prop has a wider, almost flush panel. I therefore filled the kit panels with 20 thou styrene infills to bring them almost flush. The other major surgery at this stage was to carefully cut out the right-hand door to allow it to be modelled open, adding 10 thou styrene strips around the edges of the removed piece to bring it back up to size.

Milliput was then added to the infilled lettering panels and around the edges of the door piece, and once dry smoothed back flush. An Olfa-style cutter was then used to scribe new surrounds for the panels, the same height as before but almost the full width of the panel. The new strips around the door were then carefully sanded down in size to fit the opening.

Assembly could now begin, ignoring the instructions supplied to build roof-down with the windows stuck in place before assembly! As my door was to be part-open I needed a floor, added using 40 thou styrene 29 x 29 mm, located in a convenient groove in the base of the sides. Each side was added in turn ensuring 90 degree corners using a square. A length of Plastruct hex rod was added along the hinge edge of the door to act as a re-enforcement for the join. 

With the walls assembled some filling was required along the joins. Unfortunately in the process of this act I did loose some of the moulded detail, however examination of the TV prop reveals that it is not there anyway, phew! The roof is placed on loose in this picture and will remain so during painting. I have added the little cap piece to the roof light, still on it's sprue, and also added some extra hidden pieces behind the door, to butt up to the wall and ensure the inwardly-open door cannot budge.

Everything was now ready for a final scrub up and then off to the paintshop. Even without the modifications I've made I would not have retained the the blue plastic colour, it is an odd shade and actually quite tricky to deal with during the build. 

More on the painting in the next post, however what I didn't realise at this time was that I had missed something which is now rather too obvious (and it isn't the windows and panels being too small, I can live with that)...

Colin