The Headshunt - They do it with mirrors

When we last saw the 'The Headshunt' a couple of weeks ago I was trying to see how the visual gap on the left could be filled for photography using an item of rolling stock. I had a further thought this week as to how the gap at the left-hand end could be "filled" for photography, so I ran an experiment, the Keef was hanging around as it is still for sale (hint)...

Whilst using a small mirror actually does fill the visual gap, it is clear that the reflection really makes little sense due to the doubled-up gatepost. What could work better is a sectional timber building, disguising the mirror with an upright. It is certainly something to consider, especially as it could be combined with the previous idea of an end-of carriage section to visually enclose the scene. 

Just for the record, this is the unedited version of the picture above.

Colin

 

Getting Something Moving - Or Not

As I'm having a bit of a sort out and re-ordering of projects, one of the many issues was ‘Getting Something Moving’ and somehow making it work for me. 

Well the title of the project is now somewhat ironic because nothing is moving. It has been in existence now for three years, I suppose that when I started building in that lockdown Easter it was what I wanted to do but now looking at it with hindsight I'm not so sure... I've tinkered with it a few times since then but it still doesn’t gel. As seen recently I've spent some time playing with different track plans that will fit on the board and spent some time trying to work out if the current track plan could actually be made to work for me without having to do anything too destructive, but the more I looked at it the more the amount of work it needed to achieve what would work felt a little bit overwhelming due to time constraints.  

Well I say current, however despite surviving three Easters since construction started, just one Coronation later...

I had always said that I'll keep the track down on the board until I'd definitely made my mind up whether to retain the track plan, it looks like now I'm at that point! Everything has been recovered from the board and we shall see what develops next. I freely admit I struggle to work with 09 concepts that aren't 15 inch gauge railways as I know them which are as generally speaking passenger carrying pleasure railways. Anything slightly industrial or agricultural to me doesn't sit right. Others (Bill Flude and Graham Watling in particular) manage it far more eloquently than I do.

Colin

'The Headshunt' - Taking a Trick-Shot

As alluded to in my previous post I have been considering the design of a new diorama to fit in a small photographic lightbox. Although I like that design, over the weekend I had a little play to see if there is an alternative, involving the recently refreshed 'The Headshunt'. 

When taking the most recent pictures of 'The Headshunt' I had been working in the shed with a basic LED strip light, but for the background I had used a large matt white plastic photographic sheet that my wife had picked up very cheaply. In the past I had always photographed this diorama on my desk using my standard desk lamp and whatever was to hand as the background, so the thought occurred to me that the sheet might be useable in the same way. The experimentation began... this is the set-up used, with a bonus glimpse of the new storage box being used as a height booster.

A pretty standard 3/4 shot. This is very satisfactory but I must trim the longer grass strands!

The awkward reverse-shot. Pleasingly the new grey edging is almost invisible in this and the next shot compared to the old black strip. My thoughts were turning to ways to reduce the white space, wondering if standing a carriage there might be the answer. 

Looking down the line. An anecdote from the rebuilding process is that I managed to snap the point lever during the work, hearing it ping across the shed never to be seen again. A new lever was found and colour matched to the original base.

The next day I thought I would try out the carriage trick for a shot pointing to the left, I think this works rather well and I'm baffled why I have never thought of it before!

This led to a further thought (dangerous, I know...) of a 'prop' of a half-coach that could be placed at the far left, and in combination with a couple of figures posed in conversation could "fill the gap" in photographs without having to have the coach right up against the subject matter. 

Overall I am very happy with the outcome, although I may try using a bit of one of the free Railway Modeller backscene pieces as a further trial in due course.

Developing a Diorama

As I have mentioned when describing recent changes to my diorama The Headshunt I have been trying to create a new photographic diorama that can be used within a small (12" x 12") lightbox. There have been a couple of false starts to say the least, however the work carried out on the older diorama has created a renewed interest in getting the job done...

I had conducted a little experiment with one of my 70mm deep scenes, just to see how it would work on camera, and in all honesty with a bit more depth it could work. However what this shot does highlight is how any such scene needs to have a fairly solid back piece (wall/fence/hedge) to really work, and the problem of how to treat the area where the track goes off the edge of the scene.

So the thought came to me that if there could be a building over the track at one end, and maybe a gate at the other, with wall or similar in between, an enclosed photo 'set' could be created. The idea in my mind was that it was some sort of workshop overhauling miniature railway stock, recalling photos of Fairbourne Railway locomotives outside Trevor Guest's workshop at Wollaston. 

Having located some of these in John Milner's 'Rails Through the Sands' I briefly fell into a rabbit hole of research, as I tried to find out a little more as there were two distinct buildings pictured. Luckily an article by John Tennant in 'The Narrow Gauge' no. 238 (Summer 2016) identified that there were two buildings in use, the 'bottom shed' and newer 'top shed'. They can both be seen in RAF aerial imagery from 1961 hosted by Historic England - Guest's yard is in the triangle of roads towards the top-left of the image. I adapted what I now know as the 'top shed' as the basis of this sketch.

The sketch reveals a host of background junk, and how by leaving the front third of each side clear, maximum camera angles are available in a small space of 8" x 6". In order to try out the idea I built a quick mock-up in the medium of cereal box and double-sided tape and placed it in the light box to try a few photo angles.

Generally speaking the concept worked, and a few trial shots resulted from different angles with a couple of locos used for the test shots. The grey and white makes balancing the images rather fun but that would not be an issue with a fully-developed scene. There is also the possibility of adding a temporary backscene piece behind the wall rather than relying on the lightbox.

There was a slight concern though, one that is not so apparent in the picture above... Although the lightbox kicks out an impressive amount of light, the further forward an item is the more the foreground starts to get into shadow. So when I used a slightly larger loco in the box, the front end isn't quite as well lit as the rear. I had encountered a similar issue on a couple of occasions that I had used 'The Headshunt' in the box end-on (not the greatest of ideas!).

So I had an idea, what if it cut the back two corners of a scene at 45 degrees? Prototype number two was therefore assembled from leftover cereal packet card.

This way the scene can be pushed further backwards into the light box and the front of a longer loco should be better lit. A Slaters gate makes a special guest (no pun intended) appearance here, as I only have the one of these it would have to be removeable to go at the end where it needed to be in the background.

The result is that there does appear to be an improvement in the lighting of long-loco shots. In this view the section of wall in the centre is up against the back of the light box.

The downside to this idea is that it does away with the workshop building, but it then occurred to me that there is actually a possibility of doing the 45 degree cut at just one end and having the best of both ideas...

Colin

A bit of work down 'The Headshunt'

Those with long memories may recall that last summer I had intended to give my larger O9 diorama 'The Headshunt' a scenic makeover, but in the end carried out a similar exercise on my 009 layout 'The Old Quarry Line'. Fast forward to March this year, and frustrated with my lack of success with a new photographic diorama to fit in a small lightbox, I decided to revisit my planned work on 'The Headshunt'. Firstly, a reminder of how it looked...

 

As well as needing some new scenic work, the other thing that was really troubling me was the heavy black surround in 5mm ply. This particularly looked awful at the left hand end where it crossed the track and platform. So I carefully (with a mallet and heavy-duty scraper!) removed it. Nothing fell apart so the front strip had similar treatment, leaving everything a little vulnerable until they were replaced. The replacements are from 3mm ply, gently rounded on the front upper edges to reduce their impact, and are also about 1mm lower. Painted grey rather than black they no longer dominate the diorama.

The two holes in the new front trim are an indication of another long-envisaged aspect of the rebuild project, as they are securing holes for a ply/hardboard cover to protect the scene in storage. 

Within the scene itself the new areas of foliage can be seen left and right. As with work on 'Beck Bridge' and 'The Old Quarry Line' these use teased-out coir hanging basket liner, sprayed in two shades of brown, and various foliage mats, stems and other items to create a varied effect. I have also added Martin Welberg tufts and some MiniNature flowers in moderation.

The pile junk behind the headshunt has grown a little, as all piles of junk do... The wagon is a KB Scale Hudson frame with Black Dog adaptor piece, with wooden deck. This was completed some time ago and saved for a use such as this. Adding this led to a rearrangement of the oil drums, which sounds easy but they were very well stuck down! The green one was moved elsewhere and the red/yellow one moved into it's place, it just looked better that way... The more subtle addition is a cab frontspiece on the right, part of an old A1 Models etch carefully painted and weathered.

Overall I am very happy with these long-awaited changes, one advantage of the delay has certainly been the use of the grey surround in place of black, in part inspired by seeing James Hilton's work recently. Working on 'The Headshunt' has certainly kept things going on the modelling front for the last few weeks too. Thoughts have now returned to the new photographic scene but nothing concrete has happened... yet.

Colin

 

The March of Time

Time has flown by in the first quarter of 2023, and from a modelling perspective there has been little to report. I spent some time trying to build a photographic diorama that could fit in my square-foot lightbox but that went through several iterations without success. However it has led to a long-overdue refresh of another project, more to be revealed soon... 

The last week or so has been one of reflection, having realised I've been modelling in O9 now for 20 years! A lot has changed in that time, from there being very few products aimed at representing 15" gauge prototypes accurately to there now being a wider choice in many mediums. I like to think I've had a small part to play in that via a range of bogie coaches for the Avalon Line range. 

Sadly the news came last week that we had lost Avalon's Howard Martin. I think the first time that I met him, at a 7mm NGA Burton show, I introduced myself as "his worst customer" on the basis that I was an O9 modeller who didn't buy his products! Despite this he was always very keen to see my work in O9 and encouraged me to create masters for Steve Bennett to cast bogie coaches based on those running on 'Shifting Sands'.

Although built by Julian Andrews, Howard was of course the person I associate with the 'Avalon Brickworks' layout having seen it many times on his stand at exhibitions. This has made me take another look at my baseboard and track over the past weekend to see it that plan could perhaps be revived in some way rather than replaced. We shall see...

I'll leave you with this shot of the original layout, with Avalon Line loco and coach built to O-16.5.

Colin

Revisiting the Corkboard

It's been a quiet month since I last posted and actual model-making has been in abeyance for one reason or another. That hasn't stopped the thought processes though...

Since seeing James Hilton's work at Doncaster I have been playing with a few ideas to revive the small corkboard layout I started a few years ago. I think I have now finally reached the conclusion that the "Avalon Brickworks" plan isn't going to achieve what I want to do and needs a rethink. As a reminder, after a year or so of inactivity it presently looks something like this:

So why doesn't it work? There are a few things, some practical and some just "me". One of my bugbears with it (of my own making) is that the track sits in a tray formed by the outer framing of the board. On 'Shifting Sands' I raised the track on thin balsa to overcome this and I regret not doing the same here in "lockdown" conditions. The other practical issue is that the facing point arrangement makes positioning MicroTrains magnets tricky, leaving a magnet on the main line behind the right-hand point in an awkward position, OK for swapping sets of wagons but less so to actually "shunt" individual wagons. The curve in the inner siding pushed the magnet back there leaving little room for manoeuvre. 

The offset circuit of James' 'Canal Street Wharf' inspired plan 1 with a siding added within the circuit. The idea is that it would be fully scenic all around, rather like my 009 layout 'The Old Quarry Line'. At one point I sketched in a loco spur top right outside the circuit but I felt that it made things look unbalanced so it was lost from the final version of the plan.

I then wondered how it would look with the offset of the circuit the other way around, i.e. with the point on the side further away from the baseboard edge. I redrew this as plan 2 which actually confirmed what I thought, that it looked more spacious the other way around with the siding closer to the centre of the board. On both versions there is plenty of space for uncoupling magnets on the straight lines from both arms of the turnout.

These ideas need a complete lift of the existing trackwork, but that is not a bad thing as it will deal with the bugbear of the sunken track. My thinking is either to add another layer to the board top to raise the trackbed, or the more extreme idea to flip the board over and add a new trackbed layer on what is presently the underside of the framing. This would allow some dramatic scenery below track level such as a bridge over a stream. 

However, plan 2 did lead to another train of thought, completely different to the original concept, plan 3...

This is something of a cross between 'Shifting Sands' and an Inglenook! The sidings at the front are a 3,2,4 capacity layout, which isn't bad for the space. All have nice straight runs off the points so uncoupling/coupling should not be an issue. The sidings at the back are intended to be hidden and can hold a loco and 3 wagons.

So back to that "me" issue... I had struggled to find a suitable theme and setting for the original plan. Whilst many feel comfortable with O9 in an industrial setting it isn't something I can relate to, certainly not with my current rolling stock. Steering clear of this theme, I would be looking at depicting a modern-day estate railway of some sort, concentrating on stock used for maintenance of the railway itself and the land, e.g. loads of ballast, sleepers, fencing material, cut trees etc, maybe animal feed. 

As to what will get built, we shall see...

Colin